{"id":91494,"date":"2020-12-10T08:00:26","date_gmt":"2020-12-10T14:00:26","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=91494"},"modified":"2020-12-09T18:37:07","modified_gmt":"2020-12-10T00:37:07","slug":"elissa-rashkin-propone-pensar-la-fotografia-historica-desde-la-desapropiacion","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/cultura\/elissa-rashkin-propone-pensar-la-fotografia-historica-desde-la-desapropiacion\/","title":{"rendered":"Elissa Rashkin propone pensar la fotograf\u00eda hist\u00f3rica desde la desapropiaci\u00f3n"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Particip\u00f3 en el\u00a0<\/span><\/i><i><span data-contrast=\"auto\">D<\/span><\/i><i><span data-contrast=\"auto\">iplomado An\u00e1lisis de la\u00a0<\/span><\/i><i><span data-contrast=\"auto\">I<\/span><\/i><i><span data-contrast=\"auto\">magen\u00a0<\/span><\/i><i><span data-contrast=\"auto\">F<\/span><\/i><i><span data-contrast=\"auto\">otogr\u00e1fica. Explorando la Colecci\u00f3n Toledo, cuya sede es el\u00a0<\/span><\/i><span data-contrast=\"auto\">CaSa<\/span><i><span data-contrast=\"auto\">\u00a0y lo coordina\u00a0<\/span><\/i><i><span data-contrast=\"auto\">Citlalli Gonz\u00e1lez<\/span><\/i><i><span data-contrast=\"auto\">,<\/span><\/i><i><span data-contrast=\"auto\">\u00a0del IAP<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<div id=\"attachment_91495\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/12\/081220-Elissa-Rashkin-100k.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91495\" class=\"size-full wp-image-91495\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/12\/081220-Elissa-Rashkin-100k.jpg\" alt=\"Elissa Rashkin propuso soltar las ataduras convencionales presentes en exposiciones fotogr\u00e1ficas, que contraponen una fotograf\u00eda hecha por un artista con la de un sujeto desconocido \" width=\"722\" height=\"542\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/12\/081220-Elissa-Rashkin-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/12\/081220-Elissa-Rashkin-100k-300x225.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-91495\" class=\"wp-caption-text\">Elissa Rashkin propuso soltar las ataduras convencionales presentes en exposiciones fotogr\u00e1ficas, que contraponen una fotograf\u00eda hecha por un artista con la de un sujeto desconocido<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><b><i><span data-contrast=\"auto\">Karina de la Paz Reyes D\u00edaz<\/span><\/i><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">10<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">\/11\/2020, Xalapa,\u00a0<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">Ver.-<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">\u00a0<\/span><\/i><\/b><span data-contrast=\"auto\">Elissa<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">Rashkin<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">investigadora\u00a0<\/span><span data-contrast=\"auto\">del Centro de Estudios de la Cultura y la Comunicaci\u00f3n (CECC)<\/span><span data-contrast=\"auto\">\u00a0de la Universidad Veracruzana (UV),<\/span><span data-contrast=\"auto\">\u00a0propuso pensar la fotograf\u00eda\u00a0<\/span><span data-contrast=\"auto\">hist\u00f3rica desde lo que la escritora Cristina Rivera Garza llama \u201cdesapropiaci\u00f3n\u201d<\/span><span data-contrast=\"auto\">, en su participaci\u00f3n\u00a0<\/span><span data-contrast=\"auto\">en el\u00a0<\/span><span data-contrast=\"auto\">D<\/span><span data-contrast=\"auto\">iplomado An\u00e1lisis de la\u00a0<\/span><span data-contrast=\"auto\">I<\/span><span data-contrast=\"auto\">magen\u00a0<\/span><span data-contrast=\"auto\">F<\/span><span data-contrast=\"auto\">otogr\u00e1fica. Explorando la Colecci\u00f3n Toledo.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Ah\u00ed, la acad\u00e9mica comparti\u00f3 la<\/span><span data-contrast=\"auto\">\u00a0conferencia\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">Fuera de lugar<\/span><span data-contrast=\"auto\">: Apuntes sobre fotograf\u00eda rural y desapropiaci\u00f3n<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">\u00a0y como parte de la misma\u00a0<\/span><span data-contrast=\"auto\">present\u00f3\u00a0<\/span><span data-contrast=\"auto\">un\u00a0<\/span><span data-contrast=\"auto\">an<\/span><span data-contrast=\"auto\">\u00e1lisis de<\/span><span data-contrast=\"auto\">\u00a014 fotograf\u00edas<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">que eligi\u00f3\u00a0<\/span><span data-contrast=\"auto\">del Fondo Toledo de Fotograf\u00eda<\/span><span data-contrast=\"auto\">, cuya tem\u00e1tica\u00a0<\/span><span data-contrast=\"auto\">versa sobre la\u00a0<\/span><span data-contrast=\"auto\">re<\/span><span data-contrast=\"auto\">presentaci\u00f3n fotogr\u00e1fica del agrarismo<\/span><span data-contrast=\"auto\">\u00a0(<\/span><span data-contrast=\"auto\">una de sus l\u00edneas de investigaci\u00f3n<\/span><span data-contrast=\"auto\">)<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Las im\u00e1genes las clasific\u00f3 en tres grupos:<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">El trabajo como espect\u00e1culo<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">Pl\u00e1tanos centroamericanos<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">\u00a0y\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">Del folclore<\/span><span data-contrast=\"auto\">\u00a0a la desapropiaci\u00f3n (aproximaci\u00f3n de la tierra)<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">La investigadora hizo notar que<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">desde<\/span><span data-contrast=\"auto\">\u00a0la se<\/span><span data-contrast=\"auto\">gunda\u00a0<\/span><span data-contrast=\"auto\">mitad<\/span><span data-contrast=\"auto\">\u00a0del siglo XX\u00a0<\/span><span data-contrast=\"auto\">se dio<\/span><span data-contrast=\"auto\">\u00a0un desarrollo de la antropolog\u00eda\u00a0<\/span><span data-contrast=\"auto\">visual<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">la cual<\/span><span data-contrast=\"auto\">\u00a0dio paso a medios\u00a0<\/span><span data-contrast=\"auto\">comunitarios;<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">no obstante,\u00a0<\/span><span data-contrast=\"auto\">el enfoque sobre el<\/span><span data-contrast=\"auto\">\u00a0paisaje<\/span><span data-contrast=\"auto\">, \u201co mejor dicho la tierr<\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\">\u00a0como\u00a0<\/span><span data-contrast=\"auto\">ter<\/span><span data-contrast=\"auto\">ritorio<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0pero tambi\u00e9n como estructuraci\u00f3n de la mirada<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">no ha sido suficientemente explorado\u201d.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Luego de detallar los tres grupos de foto<\/span><span data-contrast=\"none\">graf\u00edas,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">en<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">el \u00faltimo<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">concentr\u00f3<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">sus comentarios\u00a0<\/span><span data-contrast=\"none\">en<\/span><span data-contrast=\"none\">\u00a0una de las\u00a0<\/span><span data-contrast=\"none\">fotograf\u00edas<\/span><span data-contrast=\"none\">\u00a0de<\/span><span data-contrast=\"none\">l<\/span><span data-contrast=\"none\">\u00a0Fondo\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">Roberto\u00a0<\/span><span data-contrast=\"none\">Donis<\/span><span data-contrast=\"none\">\u201d, que es parte de la Colecci\u00f3n Toledo<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">en la que<\/span><span data-contrast=\"none\">\u00a0un surco en la\u00a0<\/span><span data-contrast=\"none\">tierra ocupa el<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">primer plano<\/span><span data-contrast=\"none\">, mientras l<\/span><span data-contrast=\"none\">as per<\/span><span data-contrast=\"none\">sonas y animales<\/span><span data-contrast=\"none\">\u00a0se ven muy a lo lejos, en el horizonte<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:2,&quot;335559740&quot;:324}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Al desconocerse el<\/span><span data-contrast=\"none\">\u00a0contexto<\/span><span data-contrast=\"none\">\u00a0de tal fotograf\u00eda, \u201cl<\/span><span data-contrast=\"none\">o que nos queda es una serie de connotaciones tejidas\u00a0<\/span><span data-contrast=\"none\">a trav\u00e9s<\/span><span data-contrast=\"none\">\u00a0de nuestra<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">formaci<\/span><span data-contrast=\"none\">\u00f3n\u00a0<\/span><span data-contrast=\"none\">previa<\/span><span data-contrast=\"none\">\u201d, dijo. \u201c<\/span><span data-contrast=\"none\">Podemos imaginar que la mayor parte de fotos existente<\/span><span data-contrast=\"none\">s<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">\u2013<\/span><span data-contrast=\"none\">no<\/span><span data-contrast=\"none\">\u00a0s\u00f3lo\u00a0<\/span><span data-contrast=\"none\">en este archiv<\/span><span data-contrast=\"none\">o<\/span><span data-contrast=\"none\">\u00a0sino en el mundo<\/span><span data-contrast=\"none\">\u2013<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">fueron tomadas en<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">alg\u00fan<\/span><span data-contrast=\"none\">\u00a0momento con alguna<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">inten<\/span><span data-contrast=\"none\">c<\/span><span data-contrast=\"none\">i<\/span><span data-contrast=\"none\">\u00f3n<\/span><span data-contrast=\"none\">, sin que\u00a0<\/span><span data-contrast=\"none\">\u00e9sta\u00a0<\/span><span data-contrast=\"none\">sea encapsulad<\/span><span data-contrast=\"none\">a<\/span><span data-contrast=\"none\">\u00a0en la imagen<\/span><span data-contrast=\"none\">\u201d.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:2,&quot;335559731&quot;:708,&quot;335559740&quot;:324}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En ese sentido<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0propuso el pensar la<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">fotogra<\/span><span data-contrast=\"none\">f\u00eda hist\u00f3rica\u00a0<\/span><span data-contrast=\"none\">desde lo que Cristina Rivera Garza llama\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">la<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">desapropiaci<\/span><span data-contrast=\"none\">\u00f3n\u201d\u00a0<\/span><span data-contrast=\"none\">y cit<\/span><span data-contrast=\"none\">\u00f3<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">un fragmento d<\/span><span data-contrast=\"none\">el libro\u00a0<\/span><span data-contrast=\"none\">autor\u00eda de \u00e9sta:<\/span><span data-contrast=\"none\">\u00a0<\/span><i><span data-contrast=\"none\">Los muertos ind\u00f3ciles:\u00a0<\/span><\/i><i><span data-contrast=\"none\">Necroescrituras<\/span><\/i><i><span data-contrast=\"none\">\u00a0y desapropiaci\u00f3n<\/span><\/i><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:2,&quot;335559731&quot;:708,&quot;335559740&quot;:324}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">Propongo con esta foto<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">el experimento de<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">soltar las ataduras convencionales presentes en exposiciones de<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">galer<\/span><span data-contrast=\"none\">\u00edas<\/span><span data-contrast=\"none\">, por ejemplo,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">que querer o no, refuerza<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">decisiones\u00a0<\/span><span data-contrast=\"none\">entre fotograf\u00eda<\/span><span data-contrast=\"none\">s<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">hecha<\/span><span data-contrast=\"none\">s<\/span><span data-contrast=\"none\">\u00a0por sujetos reconocidos y aquella que es<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">an<\/span><span data-contrast=\"none\">\u00f3nima<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">o la que se considera art<\/span><span data-contrast=\"none\">\u00edstica\u00a0<\/span><span data-contrast=\"none\">contra la que\u00a0<\/span><span data-contrast=\"none\">es<\/span><span data-contrast=\"none\">\u00a0simplemente un soporte del recuerdo<\/span><span data-contrast=\"none\">.\u201d<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:2,&quot;335559731&quot;:708,&quot;335559740&quot;:324}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En la imagen<\/span><span data-contrast=\"none\">\u00a0en menci\u00f3n<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\">\u00a0las personas y sus compa\u00f1eros animales siguen con sus labores, apenas y se ven, muy a la distancia, en el horizonte, y as\u00ed<\/span><span data-contrast=\"none\">\u00a0se alejan<\/span><span data-contrast=\"none\">\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">del ojo observador tan dado en otras circunstancias a cosificar su trabajo como espect\u00e1culo\u201d.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:2,&quot;335559740&quot;:324}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Para ella, participan\u00a0<\/span><span data-contrast=\"none\">no en la representaci\u00f3n como tal, sino\u00a0<\/span><span data-contrast=\"none\">\u201c<\/span><span data-contrast=\"none\">en la construcci\u00f3n\u00a0<\/span><span data-contrast=\"none\">de una<\/span><span data-contrast=\"none\">\u00a0mirada\u00a0<\/span><span data-contrast=\"none\">desapropiadora<\/span><span data-contrast=\"none\">\u201d<\/span><span data-contrast=\"none\">, mientras la tierra en primer plano funciona \u201ccomo terreno para repensar la\u00a0<\/span><span data-contrast=\"none\">comunalidad<\/span><span data-contrast=\"none\">\u201d.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:2,&quot;335559740&quot;:324}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Un acercamiento a<\/span><\/b><b><span data-contrast=\"auto\">\u00a0la Colecci\u00f3n Toledo<\/span><\/b><b><span data-contrast=\"auto\">\u00a0de Fotograf\u00eda<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Cabe mencionar que este\u00a0<\/span><span data-contrast=\"auto\">d<\/span><span data-contrast=\"auto\">iplomado<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">tiene\u00a0<\/span><span data-contrast=\"auto\">como<\/span><span data-contrast=\"auto\">\u00a0sede el C<\/span><span data-contrast=\"auto\">entro de las Artes de San Agust\u00edn<\/span><span data-contrast=\"auto\">\u00a0(<\/span><i><span data-contrast=\"auto\">CaSa<\/span><\/i><span data-contrast=\"auto\">)<\/span><span data-contrast=\"auto\">, Oaxaca, y e<\/span><span data-contrast=\"auto\">s\u00a0<\/span><span data-contrast=\"auto\">coordinado<\/span><span data-contrast=\"auto\">\u00a0por la profesora-investigadora adscrita al Instituto de Artes Pl\u00e1sticas\u00a0<\/span><span data-contrast=\"auto\">(IA<\/span><span data-contrast=\"auto\">P)\u00a0<\/span><span data-contrast=\"auto\">de la UV, Citlalli\u00a0<\/span><span data-contrast=\"auto\">Gonz\u00e1lez<\/span><span data-contrast=\"auto\">\u00a0P<\/span><span data-contrast=\"auto\">once<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">De acuerdo\u00a0<\/span><span data-contrast=\"auto\">a\u00a0<\/span><span data-contrast=\"auto\">este c<\/span><span data-contrast=\"auto\">entro, el<\/span><span data-contrast=\"auto\">\u00a0diplomado\u00a0<\/span><span data-contrast=\"auto\">tiene como<\/span><span data-contrast=\"auto\">\u00a0prop<\/span><span data-contrast=\"auto\">uesta<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">identificar las posibilidades de an\u00e1lisis de la fotograf\u00eda desde un enfoque multidisciplinar, reuniendo conocimientos est\u00e9ticos, sociol\u00f3gicos, hist\u00f3ricos, ling\u00fc\u00edsticos y comunicativos, que permita continuar en la b\u00fasqueda por entender a la fotograf\u00eda de manera hol\u00edstica, reconociendo sus particularidades y aportes para la creaci\u00f3n y la investigaci\u00f3n en nuestras sociedades contempor\u00e1neas<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">En \u00e9l,\u00a0<\/span><span data-contrast=\"auto\">se reuni\u00f3<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">a\u00a0<\/span><span data-contrast=\"auto\">11<\/span><span data-contrast=\"auto\">\u00a0investigadores\u00a0<\/span><span data-contrast=\"auto\">invitados, todo ellos\u00a0<\/span><span data-contrast=\"auto\">referentes de tal materia de estudio en el\u00a0<\/span><span data-contrast=\"auto\">pa\u00eds<\/span><span data-contrast=\"auto\">\u00a0(<\/span><span data-contrast=\"auto\">tal es el caso de<\/span><span data-contrast=\"auto\">\u00a0John\u00a0<\/span><span data-contrast=\"auto\">Mraz<\/span><span data-contrast=\"auto\">, Alberto del Castillo y Rebeca Monroy)<\/span><span data-contrast=\"auto\">\u00a0y<\/span><span data-contrast=\"auto\">\u00a0adscritos a\u00a0<\/span><span data-contrast=\"auto\">diversas instituciones como la<\/span><span data-contrast=\"auto\">\u00a0UV, la<\/span><span data-contrast=\"auto\">\u00a0Benem\u00e9rita Universidad Aut\u00f3noma de Puebla<\/span><span data-contrast=\"auto\">, el Instituto\u00a0<\/span><span data-contrast=\"auto\">de Investigaciones \u201cJos\u00e9 Mar\u00eda Luis\u00a0<\/span><span data-contrast=\"auto\">Mora<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">, l<\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\">\u00a0Iberoamericana<\/span><span data-contrast=\"auto\">, la Nacional Aut\u00f3noma de\u00a0<\/span><span data-contrast=\"auto\">M\u00e9xico, la de Guadalajara y el Instituto\u00a0<\/span><span data-contrast=\"auto\">Nacional de Antropolog\u00eda e Historia.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Citlalli Gonz\u00e1lez explic\u00f3 que<\/span><span data-contrast=\"auto\">\u00a0la Colecci\u00f3n Toledo<\/span><span data-contrast=\"auto\">\u00a0est\u00e1 bajo resguardo del Centro Fotogr\u00e1fico\u00a0<\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">Manuel \u00c1lvarez\u00a0<\/span><span data-contrast=\"auto\">Bravo<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">\u00a0y<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">la conforman\u00a0<\/span><span data-contrast=\"auto\">m<\/span><span data-contrast=\"auto\">\u00e1s de 100\u00a0<\/span><span data-contrast=\"auto\">mil\u00a0<\/span><span data-contrast=\"auto\">fotograf\u00edas\u00a0<\/span><span data-contrast=\"auto\">re<\/span><span data-contrast=\"auto\">unidas<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">por\u00a0<\/span><span data-contrast=\"auto\">el artista<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">oriundo de Ju<\/span><span data-contrast=\"auto\">chit\u00e1n de Zaragoza.\u00a0<\/span><span data-contrast=\"auto\">Son im\u00e1genes\u00a0<\/span><span data-contrast=\"auto\">cuya procedencia se\u00a0<\/span><span data-contrast=\"auto\">desconoce<\/span><span data-contrast=\"auto\">\u00a0y\u00a0<\/span><span data-contrast=\"auto\">requieren<\/span><span data-contrast=\"auto\">\u00a0ser investigadas por\u00a0<\/span><span data-contrast=\"auto\">expertos o personas que se est\u00e1n formando como analistas de la imagen.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Por otro lado, el<\/span><span data-contrast=\"auto\">\u00a0hecho de que se\u00a0<\/span><span data-contrast=\"auto\">imparta desde la plataforma de\u00a0<\/span><i><span data-contrast=\"auto\">CaSa<\/span><\/i><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">t<\/span><span data-contrast=\"auto\">uvo<\/span><span data-contrast=\"auto\">\u00a0el prop\u00f3sito<\/span><span data-contrast=\"auto\">\u00a0de<\/span><span data-contrast=\"auto\">\u00a0llevar la investigaci\u00f3n\u00a0<\/span><span data-contrast=\"auto\">fuera de los \u00e1mbitos\u00a0<\/span><span data-contrast=\"auto\">acad\u00e9micos,\u00a0<\/span><span data-contrast=\"auto\">\u201ce<\/span><span data-contrast=\"auto\">s<\/span><span data-contrast=\"auto\">\u00a0una forma\u00a0<\/span><span data-contrast=\"auto\">di<\/span><span data-contrast=\"auto\">fusi\u00f3n de la cienci<\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\">, de acercar a otros p\u00fablicos las investigaciones que realizamos<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">, a\u00f1adi\u00f3 l<\/span><span data-contrast=\"auto\">a investigadora<\/span><span data-contrast=\"auto\">\u00a0del IAP<\/span><span data-contrast=\"auto\">\u00a0de\u00a0<\/span><span data-contrast=\"auto\">la UV<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Tal prop\u00f3sito se cumpli\u00f3, pues\u00a0<\/span><span data-contrast=\"auto\">la convocatoria reuni\u00f3 a\u00a0<\/span><span data-contrast=\"auto\">un p\u00fablico diverso:\u00a0<\/span><span data-contrast=\"auto\">estudiantes de licenciatura y posgrado del pa\u00eds<\/span><span data-contrast=\"auto\">\u00a0y el extranjero<\/span><span data-contrast=\"auto\">, a<\/span><span data-contrast=\"auto\">s\u00ed como a investigadores,<\/span><span data-contrast=\"auto\">\u00a0creadores, personas abocadas a la gesti\u00f3n cultural o\u00a0<\/span><span data-contrast=\"auto\">que est\u00e1n encargadas de acervos fotogr\u00e1ficos.<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">Adem\u00e1s, para la puesta en marcha de este diplomado se\u00a0<\/span><span data-contrast=\"auto\">cont\u00f3 especialmente con la colaboraci\u00f3n del Departamento de Arte de la\u00a0<\/span><span data-contrast=\"auto\">Universidad Iberoamericana, quie<\/span><span data-contrast=\"auto\">nes a trav\u00e9s del<\/span><span data-contrast=\"auto\">\u00a0acad\u00e9mico<\/span><span data-contrast=\"auto\">\u00a0Ariel Arnal se interesaron en apoyar el desarrollo de este programa.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">El\u00a0<\/span><span data-contrast=\"auto\">d<\/span><span data-contrast=\"auto\">iplomado se desarrolla del 3 de noviembre de 2020 al 26 de febrero de 2021. Precisamente<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0el 27 de noviembre particip\u00f3\u00a0Elissa\u00a0Rashkin, profesora-Investigadora de<\/span><span data-contrast=\"auto\">l CECC<\/span><span data-contrast=\"auto\">, y para<\/span><span data-contrast=\"auto\">\u00a0febrero de 2021 est\u00e1 programada la p<\/span><span data-contrast=\"auto\">resentaci\u00f3n<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">de<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">la<\/span><span data-contrast=\"auto\">\u00a0acad\u00e9mica de la\u00a0<\/span><span data-contrast=\"auto\">UV\u00a0<\/span><span data-contrast=\"auto\">Leticia Mora,<\/span><span data-contrast=\"auto\">\u00a0adscrita a<\/span><span data-contrast=\"auto\">l\u00a0<\/span><span data-contrast=\"auto\">Instituto de\u00a0<\/span><span data-contrast=\"auto\">I<\/span><span data-contrast=\"auto\">nvestigaciones\u00a0<\/span><span data-contrast=\"auto\">L<\/span><span data-contrast=\"auto\">ing\u00fc\u00edstic<\/span><span data-contrast=\"auto\">o<\/span><span data-contrast=\"auto\">-Literarias<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lo hizo al participar en el Diplomado An\u00e1lisis de la Imagen Fotogr\u00e1fica. Explorando la Colecci\u00f3n Toledo <\/p>\n","protected":false},"author":1775,"featured_media":91495,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[94,922,923,920,445,921],"class_list":["post-91494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cecc","tag-centro-de-estudios-de-la-cultura-y-la-comunicacion","tag-diplomado-analisis-de-la-imagen-fotografica-explorando-la-coleccion-toledo","tag-elissa","tag-investigadora","tag-rashkin"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/91494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1775"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=91494"}],"version-history":[{"count":2,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/91494\/revisions"}],"predecessor-version":[{"id":91527,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/91494\/revisions\/91527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/91495"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=91494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=91494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=91494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}