{"id":90086,"date":"2020-11-13T10:35:11","date_gmt":"2020-11-13T16:35:11","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=90086"},"modified":"2021-04-09T13:59:56","modified_gmt":"2021-04-09T18:59:56","slug":"max-exhibe-piezas-huastecas-del-museo-nacional-de-antropologia","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/banner\/max-exhibe-piezas-huastecas-del-museo-nacional-de-antropologia\/","title":{"rendered":"MAX exhibe piezas huastecas del Museo Nacional de Antropolog\u00eda"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Pertenecen al acervo del Museo Nacional de Antropolog\u00eda<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<div id=\"attachment_90087\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-1-100k.jpg\"><img aria-describedby=\"caption-attachment-90087\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-90087\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-1-100k.jpg\" alt=\"L\u00e1pida de Tepetzintla \" width=\"722\" height=\"542\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-1-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-1-100k-300x225.jpg 300w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-90087\" class=\"wp-caption-text\">L\u00e1pida de Tepetzintla<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><b><i><span data-contrast=\"auto\">Karina de la Paz Reyes D\u00edaz<\/span><\/i><\/b><\/p>\n<p><b><i><span data-contrast=\"auto\">1<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">3<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">\/11\/2020, Xalapa, Ver.-<\/span><\/i><\/b><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">Cuatro\u00a0<\/span><span data-contrast=\"auto\">monumentos de la cultura\u00a0<\/span><span data-contrast=\"auto\">H<\/span><span data-contrast=\"auto\">uasteca, que son parte del acervo del Museo Nacional de Antropolog\u00eda, est\u00e1n en exhibici\u00f3n en el <a href=\"https:\/\/www.uv.mx\/max\/\" target=\"_blank\" rel=\"noopener noreferrer\">Museo de Antropolog\u00eda de Xalapa<\/a> (MAX) de la Universidad Veracruzana<\/span><span data-contrast=\"auto\">\u00a0(UV)<\/span><span data-contrast=\"auto\">, inform\u00f3\u00a0<\/span><span data-contrast=\"auto\">su<\/span><span data-contrast=\"auto\">\u00a0directora Maura Ord\u00f3\u00f1ez Valenzuela.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Se trata de un pr\u00e9stamo en reciprocidad<\/span><span data-contrast=\"auto\">\u00a0por las<\/span><span data-contrast=\"auto\">\u00a016 piezas arqueol\u00f3gicas<\/span><span data-contrast=\"auto\">\u00a0con las que el MAX<\/span><span data-contrast=\"auto\">\u00a0participa<\/span><span data-contrast=\"auto\">\u00a0en la exposici\u00f3n\u00a0<\/span><i><span data-contrast=\"auto\">Los olmecas y las culturas del Golfo<\/span><\/i><span data-contrast=\"auto\">, que se presenta en el Museo Du\u00a0<\/span><span data-contrast=\"auto\">Quai<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">Branly<\/span><span data-contrast=\"auto\">-Jacques Chirac con sede en Par\u00eds, Francia, de octubre de 2020\u00a0<\/span><span data-contrast=\"auto\">hasta<\/span><span data-contrast=\"auto\">\u00a0julio de 2021<\/span><span data-contrast=\"auto\">.<\/span><\/p>\n<div id=\"attachment_90088\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-2-100k.jpg\"><img aria-describedby=\"caption-attachment-90088\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-90088\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-2-100k.jpg\" alt=\"Monumento cuadrangular, procedente de Castillo de Teayo\" width=\"722\" height=\"542\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-2-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-2-100k-300x225.jpg 300w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-90088\" class=\"wp-caption-text\">Monumento cuadrangular, procedente de Castillo de Teayo<\/p><\/div>\n<p><span data-contrast=\"auto\">Para\u00a0<\/span><span data-contrast=\"auto\">la ocasi\u00f3n<\/span><span data-contrast=\"auto\">, el recinto universitario aport\u00f3 distinguidas piezas, tal es el caso de\u00a0<\/span><span data-contrast=\"auto\">la<\/span><span data-contrast=\"auto\">\u00a0C<\/span><span data-contrast=\"auto\">abeza\u00a0<\/span><span data-contrast=\"auto\">C<\/span><span data-contrast=\"auto\">olosal<\/span><span data-contrast=\"auto\">\u00a0n\u00famero\u00a0<\/span><span data-contrast=\"auto\">4\u00a0<\/span><span data-contrast=\"auto\">de San Lorenzo<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0el Se\u00f1or de L<\/span><span data-contrast=\"auto\">as L<\/span><span data-contrast=\"auto\">imas, el co<\/span><span data-contrast=\"auto\">njunto<\/span><span data-contrast=\"auto\">\u00a0escult\u00f3rico de<\/span><span data-contrast=\"auto\">\u00a0El\u00a0<\/span><span data-contrast=\"auto\">Azuzul<\/span><span data-contrast=\"auto\">\u00a0y El\u00a0<\/span><span data-contrast=\"auto\">P<\/span><span data-contrast=\"auto\">r\u00edncipe. \u00c9ste<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0incluso<\/span><span data-contrast=\"auto\">, protagoniza la publicidad de la exposici\u00f3n.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">La funcionaria universitaria aclar\u00f3 que<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0tentativamente<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">las cuatro piezas en pr\u00e9stamo estar\u00e1n tambi\u00e9n hasta julio\u00a0<\/span><span data-contrast=\"auto\">de<\/span><span data-contrast=\"auto\">\u00a02021\u00a0<\/span><span data-contrast=\"auto\">en el MAX<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">f<\/span><span data-contrast=\"auto\">echa en la que est\u00e1 programada la culminaci\u00f3n de la exposici\u00f3n parisina.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Se trata de\u00a0<\/span><span data-contrast=\"auto\">un monumento cuadrangular, procedente de Castillo de Teayo<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">como cita la ficha, est\u00e1 tallada con glifos y num\u00e9rales en cinco de sus cantos<\/span><span data-contrast=\"auto\">. La cara superior<\/span><span data-contrast=\"auto\">\u00a0presenta el numeral<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">I<\/span><span data-contrast=\"auto\">\u00a0cr\u00e1neo<\/span><span data-contrast=\"auto\">, la frontal el glifo I casa<\/span><span data-contrast=\"auto\">, mientas en los laterales los 13 Conejo y 1 cuchillo con rostr<\/span><span data-contrast=\"auto\">o, y en la parte posterior el I Maguey<\/span><span data-contrast=\"auto\">. \u201cSe ha considerado que por los elementos que presenta<\/span><span data-contrast=\"auto\">\u00a0se trata de un asiento dedicado al dio<\/span><span data-contrast=\"auto\">s<\/span><span data-contrast=\"auto\">\u00a0Tezcatlipoca\u201d.<\/span><\/p>\n<div id=\"attachment_90089\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-3-100k.jpg\"><img aria-describedby=\"caption-attachment-90089\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-90089\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-3-100k.jpg\" alt=\"La directora del MAX muestra la escultura femenina de Tepetzintla\" width=\"722\" height=\"542\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-3-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-3-100k-300x225.jpg 300w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-90089\" class=\"wp-caption-text\">La directora del MAX muestra la escultura femenina de Tepetzintla<\/p><\/div>\n<p><span data-contrast=\"auto\">Asimismo,\u00a0<\/span><span data-contrast=\"auto\">una L\u00e1pida<\/span><span data-contrast=\"auto\">\u00a0y una escultura femenina<\/span><span data-contrast=\"auto\">,\u00a0<\/span><span data-contrast=\"auto\">ambas\u00a0<\/span><span data-contrast=\"auto\">procedente<\/span><span data-contrast=\"auto\">s<\/span><span data-contrast=\"auto\">\u00a0de\u00a0<\/span><span data-contrast=\"auto\">Tepetzintla<\/span><span data-contrast=\"auto\">; en el caso de e<\/span><span data-contrast=\"auto\">sta<\/span><span data-contrast=\"auto\">\u00a0\u00faltima<\/span><span data-contrast=\"auto\">, se lee que\u00a0<\/span><span data-contrast=\"auto\">\u201cpertenece\u00a0<\/span><span data-contrast=\"auto\">al tipo de representaciones que hacen referencia a la diosa\u00a0<\/span><span data-contrast=\"auto\">Tlazolteotl<\/span><span data-contrast=\"auto\">\u00a0de los huastecos<\/span><span data-contrast=\"auto\">\u00a0y cuyas caracter\u00edsticas son<\/span><span data-contrast=\"auto\">: tocado en forma de abani<\/span><span data-contrast=\"auto\">co, pechos desnudos, portan fald<\/span><span data-contrast=\"auto\">a y las manos las llevan\u00a0<\/span><span data-contrast=\"auto\">sobre<\/span><span data-contrast=\"auto\">\u00a0vientre\u00a0<\/span><span data-contrast=\"auto\">como s\u00edmbolo de fertilidad<\/span><span data-contrast=\"auto\">\u201d; una singularidad de esta pieza es que\u00a0<\/span><span data-contrast=\"auto\">de su tocado sobresale un ave que rodea el rostro del personaje.<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">La \u00faltima es una<\/span><span data-contrast=\"auto\">\u00a0escultura masculina<\/span><span data-contrast=\"auto\">\u00a0procedente<\/span><span data-contrast=\"auto\">\u00a0de El Naranj<\/span><span data-contrast=\"auto\">o<\/span><span data-contrast=\"auto\">. Se trata de un cuerpo desnudo<\/span><span data-contrast=\"auto\">.\u00a0<\/span><span data-contrast=\"auto\">\u201cAlgunos investigadores han relacionad<\/span><span data-contrast=\"auto\">o<\/span><span data-contrast=\"auto\">\u00a0esta\u00a0<\/span><span data-contrast=\"auto\">pieza con\u00a0<\/span><span data-contrast=\"auto\">Cinteotl<\/span><span data-contrast=\"auto\">, dios del ma\u00ed<\/span><span data-contrast=\"auto\">z<\/span><span data-contrast=\"auto\">; mientras que para otros formaba parte del culto f\u00e1lico\u201d, es parte de lo que se lee.<\/span><\/p>\n<div id=\"attachment_90090\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-4-100k.jpg\"><img aria-describedby=\"caption-attachment-90090\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-90090\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-4-100k.jpg\" alt=\"Escultura masculina de El Naranjo\" width=\"722\" height=\"542\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-4-100k.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/11\/111120-KARINA-Piezas-del-MAX-4-100k-300x225.jpg 300w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-90090\" class=\"wp-caption-text\">Escultura masculina de El Naranjo<\/p><\/div>\n<p><span data-contrast=\"auto\">En los cuatro casos la temporalidad estimada es<\/span><span data-contrast=\"auto\">\u00a0del\u00a0<\/span><span data-contrast=\"auto\">p<\/span><span data-contrast=\"auto\">ostcl\u00e1sico tard\u00edo<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"auto\">(<\/span><span data-contrast=\"auto\">900 al 1521, d.C.<\/span><span data-contrast=\"auto\">).<\/span><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Cabe recordar que<\/span><span data-contrast=\"auto\">\u00a0desde el 15 de septiembre y\u00a0<\/span><span data-contrast=\"auto\">con todas las medidas sanitarias<\/span><span data-contrast=\"auto\">\u00a0que se requieren a prop\u00f3sito de la pandemia por la Covid-19<\/span><span data-contrast=\"auto\">, el MAX est\u00e1 abierto al p\u00fablico<\/span><span data-contrast=\"auto\">.\u00a0<\/span><span data-contrast=\"auto\">Para mayor\u00a0<\/span><span data-contrast=\"auto\">informaci\u00f3n<\/span><span data-contrast=\"auto\">\u00a0de esta entidad universitaria\u00a0<\/span><span data-contrast=\"auto\">consulte\u00a0<\/span><a href=\"http:\/\/www.uv.mx\/max\"><span data-contrast=\"none\">www.uv.mx\/max<\/span><\/a><span data-ccp-props=\"{&quot;335559731&quot;:708}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Se trata de un pr\u00e9stamo en reciprocidad por las 16 piezas arqueol\u00f3gicas con las que el Museo de Antropolog\u00eda de Xalapa participa en la exposici\u00f3n <em>Los olmecas y las culturas del Golfo<\/em><\/p>\n","protected":false},"author":1775,"featured_media":90091,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[61],"tags":[2178,15,670,2180,148,2181,102,2177,1012,2179],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/90086"}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1775"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=90086"}],"version-history":[{"count":1,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/90086\/revisions"}],"predecessor-version":[{"id":90097,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/90086\/revisions\/90097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/90091"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=90086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=90086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=90086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}