{"id":79830,"date":"2020-01-31T08:00:16","date_gmt":"2020-01-31T14:00:16","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=79830"},"modified":"2020-01-31T13:05:45","modified_gmt":"2020-01-31T19:05:45","slug":"capoeira-recupera-ritos-y-tradiciones-sergio-gonzalez","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/cultura\/capoeira-recupera-ritos-y-tradiciones-sergio-gonzalez\/","title":{"rendered":"Capoeira recupera ritos y tradiciones: Sergio Gonz\u00e1lez"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Se trata de una pr\u00e1ctica ancestral que combina danza, m\u00fasica y acrobacia<\/span><\/i><\/li>\n<\/ul>\n<div id=\"attachment_79832\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/290920-Capoeira.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79832\" class=\"size-full wp-image-79832\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/290920-Capoeira.jpg\" alt=\"\" width=\"722\" height=\"481\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/290920-Capoeira.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/290920-Capoeira-300x200.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-79832\" class=\"wp-caption-text\">El acad\u00e9mico de la UASLP imparti\u00f3 la conferencia inaugural d<span data-contrast=\"auto\">el<\/span><span data-contrast=\"auto\"> semestre en la Maestr\u00eda en Estudios de la Cultura y la Comunicaci\u00f3n<\/span><\/p><\/div>\n<p><b><i><span data-contrast=\"auto\">Karina de la Paz Reyes D\u00edaz<\/span><\/i><\/b><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">31\/01\/2020, Xalapa, <\/span><\/i><\/b><b><i><span data-contrast=\"auto\">Ver.-<\/span><\/i><\/b> <span data-contrast=\"auto\">Sergio Gonz\u00e1lez Varela<\/span><span data-contrast=\"auto\">,<\/span> <span data-contrast=\"auto\">investigador de la Universidad Aut\u00f3noma de San Luis Potos\u00ed (UASLP),<\/span><span data-contrast=\"auto\"> ofreci\u00f3 la <\/span><span data-contrast=\"auto\">conferencia<\/span> <span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">M\u00e1s all\u00e1 del cu<\/span><span data-contrast=\"auto\">erpo: pensando una metodolog\u00eda \u2018<\/span><span data-contrast=\"auto\">ontogr\u00e1fica<\/span><span data-contrast=\"auto\">\u2019<\/span><span data-contrast=\"auto\"> para el an\u00e1lisis est\u00e9tico del ritual de la capoeira<\/span><span data-contrast=\"auto\">\u201d<\/span>, con la cual\u00a0 inici\u00f3 <span data-contrast=\"auto\">el<\/span><span data-contrast=\"auto\"> semestre de la Maestr\u00eda en Estudios de la Cultura y la Comunicaci\u00f3n (MECC) de la Universidad Veracruzana (UV)<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Este<\/span><span data-contrast=\"auto\"> ejercicio acad\u00e9mico se desarrol<\/span><span data-contrast=\"auto\">l\u00f3 el 28 de enero y fue moderado<\/span><span data-contrast=\"auto\"> por el coordinador de dicho posgrado, adscrito al <a href=\"https:\/\/www.uv.mx\/cecc\/\" target=\"_blank\" rel=\"noopener noreferrer\">Centro de Estudios de la Cultura y la Comunicaci\u00f3n<\/a> (CECC), <\/span><span data-contrast=\"auto\">Carlos Alberto Casas Mendoza<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Gonz\u00e1lez Varela, profesor d<\/span><span data-contrast=\"auto\">e la Facultad de Ciencias Sociales y Humanidades<\/span><span data-contrast=\"auto\"> de la UASP <\/span><span data-contrast=\"auto\">habl\u00f3 de la metodolog\u00eda <\/span><span data-contrast=\"auto\">ontogr\u00e1fica<\/span><span data-contrast=\"auto\">: \u201cMover la discusi\u00f3n de \u2018\u00bf<\/span><span data-contrast=\"auto\">c<\/span><span data-contrast=\"auto\">\u00f3mo conocemos?\u2019 hacia una pregunta m\u00e1s fundamental,<\/span> <span data-contrast=\"auto\">\u2018\u00bfq<\/span><span data-contrast=\"auto\">u\u00e9 e<\/span><span data-contrast=\"auto\">stamos tratando de encontrar?\u2019; <\/span><span data-contrast=\"auto\">una pregunta sobre la alteridad\u201d. Para \u00e9l, se trata de replantear el problema del otro sin dejarlo exclusivamen<\/span><span data-contrast=\"auto\">te como un tema epistemol\u00f3gico.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Coment\u00f3 que la capoeira tiene su origen en<\/span><span data-contrast=\"auto\"> el estado brasile\u00f1o de Bah\u00eda; cuya capital, el puerto de<\/span> <span data-contrast=\"auto\">Salvador, lo fue tambi\u00e9n <\/span><span data-contrast=\"auto\">del Imperio p<\/span><span data-contrast=\"auto\">ortugu\u00e9s, <\/span><span data-contrast=\"auto\">punto de entrada de esclavos procedentes de \u00c1frica Occidental<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">En la d\u00e9cada de <\/span><span data-contrast=\"auto\">1930, <\/span><span data-contrast=\"auto\">se institucionaliz\u00f3 el estilo<\/span><span data-contrast=\"auto\"> \u00abr<\/span><span data-contrast=\"auto\">egional\u00bb de la capoeira,<\/span><span data-contrast=\"auto\"> m\u00e1s<\/span> <span data-contrast=\"auto\">enfocado a la <\/span><span data-contrast=\"auto\">competencia. E<\/span><span data-contrast=\"auto\">n respuesta, <\/span><span data-contrast=\"auto\">los a\u00f1os 40<\/span><span data-contrast=\"auto\"> surgi\u00f3 el \u201c<\/span><span data-contrast=\"auto\">A<\/span><span data-contrast=\"auto\">ngola\u201d, que recupera elementos rituales y <\/span><span data-contrast=\"auto\">tradicionales<\/span><span data-contrast=\"auto\"> y est\u00e1<\/span><span data-contrast=\"auto\"> ligado a <\/span><span data-contrast=\"auto\">religiones como el<\/span> <span data-contrast=\"auto\">c<\/span><span data-contrast=\"auto\">andombl\u00e9<\/span><span data-contrast=\"auto\">. En<\/span><span data-contrast=\"auto\"> 1970 emergi\u00f3 el estilo \u201c<\/span><span data-contrast=\"auto\">c<\/span><span data-contrast=\"auto\">ontempor\u00e1neo\u201d, una combinaci\u00f3n de los dos anteriores, m\u00e1s orientado a la disciplina deportiva.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">El au<\/span><span data-contrast=\"auto\">tor de<\/span> <i><span data-contrast=\"auto\">Capoeira, <\/span><\/i><i><span data-contrast=\"auto\">Mobility<\/span><\/i><i><span data-contrast=\"auto\"> and <\/span><\/i><i><span data-contrast=\"auto\">Tourism<\/span><\/i><i><span data-contrast=\"auto\">: <\/span><\/i><i><span data-contrast=\"auto\">Preserving<\/span><\/i> <i><span data-contrast=\"auto\">an<\/span><\/i><i><span data-contrast=\"auto\"> Afro-<\/span><\/i><i><span data-contrast=\"auto\">Brazilian<\/span><\/i> <i><span data-contrast=\"auto\">Tradition<\/span><\/i><i><span data-contrast=\"auto\"> in a <\/span><\/i><i><span data-contrast=\"auto\">Globalized<\/span><\/i> <i><span data-contrast=\"auto\">World<\/span><\/i> <span data-contrast=\"auto\">(2019)<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> subray\u00f3 que m\u00e1s all\u00e1 de las versiones sobre el <\/span><span data-contrast=\"auto\">origen del <\/span><span data-contrast=\"auto\">nombre del estilo <\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">A<\/span><span data-contrast=\"auto\">ngola\u201d, hay marcados elementos<\/span><span data-contrast=\"auto\"> que lo hacen diferente al \u201cr<\/span><span data-contrast=\"auto\">egional\u201d:<\/span> <span data-contrast=\"auto\">depende de la figura del <\/span><span data-contrast=\"auto\">m<\/span><span data-contrast=\"auto\">estre<\/span><span data-contrast=\"auto\"> (maestro)<\/span><span data-contrast=\"auto\">, es ortodoxa y rechaza el cambio<\/span><span data-contrast=\"auto\">:<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><span data-contrast=\"auto\">\u201cE<\/span><span data-contrast=\"auto\">s como un microcosmos ritual que genera toda una forma de conducir el cuerpo, una l\u00f3gica, una serie de moverse y actuar\u201d.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\"><br \/>\n<\/span><\/p>\n<p><span data-contrast=\"auto\">Un elemento m\u00e1s es el enga\u00f1o, que se da cuando uno de los dos capoeristas finge que se retira, mira para un lado y va para otro, simula avanzar y en realidad retrocede, mientras ambos son rodeados por un grupo de m\u00fasicos (roda):<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0 <\/span><span data-contrast=\"auto\">\u201cEn el caso de las religiones afrobrasile\u00f1as<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> la idea del enga\u00f1o se relaciona con la conceptualizaci\u00f3n de la vulnerabilidad humana<\/span><span data-contrast=\"auto\">\u201d.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Es m\u00e1s, <\/span><span data-contrast=\"auto\">\u201cla lucha disfrazada de juego era<\/span><span data-contrast=\"auto\"> una <\/span><span data-contrast=\"auto\">forma de ocultamiento que ten\u00eda como funci\u00f3n despistar al amo y enga\u00f1arlo cuando se prepar<\/span><span data-contrast=\"auto\">aba una rebeli\u00f3n o un levantamiento contra \u00e9l, dec\u00eda el <\/span><span data-contrast=\"auto\">mestre<\/span> <span data-contrast=\"auto\">Pastinha<\/span><span data-contrast=\"auto\">\u201d, explic\u00f3 el acad\u00e9mico.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<div id=\"attachment_79831\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/29092-Capoeira-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79831\" class=\"size-full wp-image-79831\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/29092-Capoeira-2.jpg\" alt=\"\" width=\"722\" height=\"481\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/29092-Capoeira-2.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/29092-Capoeira-2-300x200.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a><p id=\"caption-attachment-79831\" class=\"wp-caption-text\"><span data-contrast=\"auto\">Carlos Alberto Casas Mendoza<\/span>, coordinador de la MECC<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>M\u00e1s que un arte marcial afrobrasile\u00f1o, \u201ces una pr\u00e1ctica ancestral que combina danza, m\u00fasica y acrobacia\u201d, explic\u00f3 el investigador de la UASLP<\/p>\n","protected":false},"author":1508,"featured_media":79832,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-79830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/79830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1508"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=79830"}],"version-history":[{"count":0,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/79830\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/79832"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=79830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=79830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=79830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}