{"id":79746,"date":"2020-01-28T19:42:57","date_gmt":"2020-01-29T01:42:57","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=79746"},"modified":"2020-01-29T13:14:03","modified_gmt":"2020-01-29T19:14:03","slug":"concluye-el-ciclo-de-documentales-iconicos","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/general\/concluye-el-ciclo-de-documentales-iconicos\/","title":{"rendered":"Concluye el ciclo de documentales ic\u00f3nicos"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">E<\/span><\/i><i><span data-contrast=\"auto\">l mi\u00e9rcoles 29 de enero a las 18:00 horas en el Aula Clavijero<\/span><\/i><i><span data-contrast=\"auto\">, con la proyecci\u00f3n de <\/span><\/i><span data-contrast=\"auto\">El lugar m\u00e1s peque\u00f1o<\/span><i><span data-contrast=\"auto\">, de <\/span><\/i><i><span data-contrast=\"auto\">Tatiana <\/span><\/i><i><span data-contrast=\"auto\">Huezo<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/li>\n<\/ul>\n<div id=\"attachment_79012\" style=\"width: 476px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/140120-Cine-Club.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79012\" class=\"size-full wp-image-79012\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/140120-Cine-Club.jpg\" alt=\"\" width=\"466\" height=\"722\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/140120-Cine-Club.jpg 466w, https:\/\/www.uv.mx\/prensa\/files\/2020\/01\/140120-Cine-Club-194x300.jpg 194w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><\/a><p id=\"caption-attachment-79012\" class=\"wp-caption-text\">Ser\u00e1 la \u00faltima proyecci\u00f3n del ciclo <i><span data-contrast=\"auto\">La realidad en el cine<\/span><\/i><\/p><\/div>\n<p><b><i><span data-contrast=\"auto\">Roberto Ortiz Escobar<\/span><\/i><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">28\/01\/2020, Xalapa, <\/span><\/i><\/b><b><i><span data-contrast=\"auto\">Ver.-<\/span><\/i><\/b> <span data-contrast=\"auto\">El<\/span><span data-contrast=\"auto\"> ciclo <\/span><i><span data-contrast=\"auto\">La realidad en el cine. Documentales ic\u00f3nicos<\/span><\/i><i><span data-contrast=\"auto\">, <\/span><\/i><span data-contrast=\"auto\">o<\/span><span data-contrast=\"auto\">rganizado<\/span><span data-contrast=\"auto\"> por el Departamento de Cinematograf\u00eda de la <a href=\"https:\/\/www.uv.mx\/\" target=\"_blank\" rel=\"noopener noreferrer\">Universidad Veracruzana<\/a>,<\/span> <span data-contrast=\"auto\">concluye <\/span><span data-contrast=\"auto\">con la <\/span><span data-contrast=\"auto\">exhibici\u00f3n <\/span><span data-contrast=\"auto\">de <\/span><i><span data-contrast=\"auto\">El lugar m\u00e1s peque\u00f1o<\/span><\/i><span data-contrast=\"auto\"> (M\u00e9xico, 2011)<\/span> <span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\">ste<\/span><span data-contrast=\"auto\"> mi\u00e9rcoles 29 de enero a las 18:00<\/span><span data-contrast=\"auto\"> horas<\/span> <span data-contrast=\"auto\">en el Aula Clavijero<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">La <\/span><span data-contrast=\"auto\">\u00f3pera<\/span> <span data-contrast=\"auto\">prima de Tatiana <\/span><span data-contrast=\"auto\">Huezo<\/span><span data-contrast=\"auto\"> gan\u00f3 <\/span><span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\">l Ariel de l<\/span><span data-contrast=\"auto\">a Academia Mexicana de Artes y C<\/span><span data-contrast=\"auto\">iencias Cinematogr\u00e1ficas por mejor largometraje documental<\/span><span data-contrast=\"auto\">, adem\u00e1s obtuvo<\/span><span data-contrast=\"auto\"> una <\/span><span data-contrast=\"auto\">menci\u00f3n especial en <\/span><span data-contrast=\"auto\">el Festival Mar de la Plata<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Si bien con su primer largometraje <\/span><span data-contrast=\"auto\">el p\u00fablico se vio<\/span><span data-contrast=\"auto\"> gratament<\/span><span data-contrast=\"auto\">e <\/span><span data-contrast=\"auto\">sorprendido <\/span><span data-contrast=\"auto\">por la solvencia narrativa<\/span><span data-contrast=\"auto\"> demostrada<\/span><span data-contrast=\"auto\">,<\/span> <span data-contrast=\"auto\">en <\/span><i><span data-contrast=\"auto\">Tempestad<\/span><\/i><span data-contrast=\"auto\"> (M\u00e9xico, 2016), su segundo y \u00faltimo documental exhibido<\/span><span data-contrast=\"auto\"> en pantalla<\/span><span data-contrast=\"auto\"> (actualmente se encuentra en postproducci\u00f3n <\/span><i><span data-contrast=\"auto\">Noche de fuego<\/span><\/i><span data-contrast=\"auto\">)<\/span><span data-contrast=\"auto\">, Tatiana <\/span><span data-contrast=\"auto\">Huezo<\/span><span data-contrast=\"auto\"> confirm\u00f3 ser<\/span><span data-contrast=\"auto\"> una de las documentalistas m\u00e1s interesantes del<\/span><span data-contrast=\"auto\"> panorama nacional<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Con <\/span><span data-contrast=\"auto\">gui\u00f3n<\/span><span data-contrast=\"auto\"> de la cineasta<\/span><span data-contrast=\"auto\">, <\/span><i><span data-contrast=\"auto\">El lugar m\u00e1s peque\u00f1o<\/span><\/i> <span data-contrast=\"auto\">nos presenta a los habitantes de <\/span><span data-contrast=\"auto\">un pueblo que experiment\u00f3<\/span><span data-contrast=\"auto\"> una <\/span><span data-contrast=\"auto\">guerra civil en El Salvador desde<\/span><span data-contrast=\"auto\"> fines de los setenta. <\/span><span data-contrast=\"auto\">Ante el infierno vivido, los sobrevivientes huyeron<\/span><span data-contrast=\"auto\"> del lugar, regresando<\/span><span data-contrast=\"auto\"> tiempo despu\u00e9s, cuando p<\/span><span data-contrast=\"auto\">arad\u00f3jicamente<\/span><span data-contrast=\"auto\"> la comunidad hab\u00eda sido borrada<\/span><span data-contrast=\"auto\"> de los mapas oficiales por con<\/span><span data-contrast=\"auto\">sider\u00e1rsele un pueblo fantasma.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Con una sensi<\/span><span data-contrast=\"auto\">bilidad a fl<\/span><span data-contrast=\"auto\">or de piel que no se limita al<\/span> <span data-contrast=\"auto\">enfoque ideol\u00f3gico (buena parte de los habitantes del pueblo <\/span><span data-contrast=\"auto\">masacrado pertenec\u00edan a la guer<\/span><span data-contrast=\"auto\">rilla y lucharon <\/span><span data-contrast=\"auto\">contra el ej\u00e9rcito), Tatiana <\/span><span data-contrast=\"auto\">Huezo<\/span> <span data-contrast=\"auto\">aborda diferentes situaciones en el presen<\/span><span data-contrast=\"auto\">te de una comunidad que trata de <\/span><span data-contrast=\"auto\">reconstruir la cotidianidad, y con ello<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> un tejido social que contin\u00faa latiendo<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> no obstan<\/span><span data-contrast=\"auto\">te <\/span><span data-contrast=\"auto\">las ausencias de familiares y amigos<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">Con<\/span> <span data-contrast=\"auto\">aguda observaci\u00f3n, el<\/span> <span data-contrast=\"auto\">documental <\/span><span data-contrast=\"auto\">plantea <\/span><span data-contrast=\"auto\">situaciones de oprobio que a<\/span><span data-contrast=\"auto\">fectan la dignidad humana, dejando<\/span><span data-contrast=\"auto\"> en <\/span><span data-contrast=\"auto\">claro que<\/span><span data-contrast=\"auto\">,<\/span> <span data-contrast=\"auto\">en la sobrevivencia<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">se <\/span><span data-contrast=\"auto\">establecen formas de <\/span><span data-contrast=\"auto\">recuperaci\u00f3n social.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Tanto<\/span> <i><span data-contrast=\"auto\">El lugar m\u00e1s peque\u00f1o<\/span><\/i> <span data-contrast=\"auto\">como <\/span><i><span data-contrast=\"auto\">Tempestad<\/span><\/i><span data-contrast=\"auto\"> se remiten a dramas donde el ser humano ingresa a una espiral violent<\/span><span data-contrast=\"auto\">a dif\u00edcilm<\/span><span data-contrast=\"auto\">ente controlable<\/span><span data-contrast=\"auto\">. Pero ser\u00e1 el segundo t\u00edtulo<\/span><span data-contrast=\"auto\"> el que cobre gran actualidad par<\/span><span data-contrast=\"auto\">a <\/span><span data-contrast=\"auto\">el <\/span><span data-contrast=\"auto\">M\u00e9xico<\/span> <span data-contrast=\"auto\">de nuestros d\u00edas<\/span><span data-contrast=\"auto\">, al <\/span><span data-contrast=\"auto\">aborda<\/span><span data-contrast=\"auto\">r<\/span><span data-contrast=\"auto\"> la<\/span><span data-contrast=\"auto\">s <\/span><span data-contrast=\"auto\">desaparicio<\/span><span data-contrast=\"auto\">nes fo<\/span><span data-contrast=\"auto\">rzadas y las agravantes impuestas<\/span><span data-contrast=\"auto\"> por una delincuencia organizada ense\u00f1oreada<\/span><span data-contrast=\"auto\"> desde hace muchos a\u00f1os<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"auto\">El lugar m\u00e1s peque\u00f1o<\/span><\/i><span data-contrast=\"auto\">, una <\/span><span data-contrast=\"auto\">joya <\/span><span data-contrast=\"auto\">documental <\/span><span data-contrast=\"auto\">de la cinematograf\u00eda mexicana, <\/span><span data-contrast=\"auto\">se exhibir\u00e1<\/span><span data-contrast=\"auto\"> en el Aula Clavijero de Ju\u00e1rez <\/span><span data-contrast=\"auto\">n\u00famero <\/span><span data-contrast=\"auto\">55<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> el mi\u00e9rcoles 29 de enero a las 18:00<\/span><span data-contrast=\"auto\"> horas. La entrada es gratuita.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p><em>El lugar m\u00e1s peque\u00f1o<\/em> se exhibir\u00e1 en el Aula Clavijero, el mi\u00e9rcoles 29 de enero a las 18:00 horas. La entrada es gratuita<\/p>\n","protected":false},"author":1508,"featured_media":78989,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-79746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/79746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1508"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=79746"}],"version-history":[{"count":0,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/79746\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/78989"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=79746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=79746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=79746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}