{"id":77694,"date":"2019-12-04T08:00:03","date_gmt":"2019-12-04T14:00:03","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=77694"},"modified":"2019-12-03T20:13:16","modified_gmt":"2019-12-04T02:13:16","slug":"cine-club-dedica-ciclo-a-stanley-kubrick","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/eventos\/cine-club-dedica-ciclo-a-stanley-kubrick\/","title":{"rendered":"Cine Club dedica ciclo a Stanley Kubrick"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Las funciones tienen lugar en el Aula Clavijero, los lunes y mi\u00e9rcoles, a las 18:00 horas<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><i><\/i><\/li>\n<\/ul>\n<div id=\"attachment_77691\" style=\"width: 478px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/12\/041219-Cine.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-77691\" class=\"size-full wp-image-77691\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/12\/041219-Cine.jpg\" alt=\"\" width=\"468\" height=\"722\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/12\/041219-Cine.jpg 468w, https:\/\/www.uv.mx\/prensa\/files\/2019\/12\/041219-Cine-194x300.jpg 194w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/a><p id=\"caption-attachment-77691\" class=\"wp-caption-text\">El ciclo culmina el lunes 16 de diciembre<\/p><\/div>\n<p><b><i><span data-contrast=\"auto\">Roberto Ortiz Escobar<\/span><\/i><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">04\/12\/2019, Xalapa, Ver.- <\/span><\/i><\/b><span data-contrast=\"auto\">El Departamento <\/span><span data-contrast=\"auto\">de Cinematograf\u00eda de la Universidad Veracruzana<\/span><span data-contrast=\"auto\"> (UV)<\/span><span data-contrast=\"auto\"> finaliza sus actividades de cine club <\/span><span data-contrast=\"auto\">de 2019 <\/span><span data-contrast=\"auto\">con <\/span><span data-contrast=\"auto\">el ciclo <\/span><i><span data-contrast=\"auto\">Stanle<\/span><\/i><i><span data-contrast=\"auto\">y Kubrick<\/span><\/i><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">cineasta de origen neoyorkino (Estados Unidos, 1928<\/span><span data-contrast=\"auto\">&#8211;<\/span><span data-contrast=\"auto\">Reino Unido, 1999) <\/span><span data-contrast=\"auto\">que <\/span><span data-contrast=\"auto\">abord\u00f3 <\/span><span data-contrast=\"auto\">el tema de <\/span><span data-contrast=\"auto\">la guerra en <\/span><span data-contrast=\"auto\">producciones d<\/span><span data-contrast=\"auto\">el periodo <\/span><span data-contrast=\"auto\">1953-1987.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">En ellas remite al <\/span><span data-contrast=\"auto\">espectador a <\/span><span data-contrast=\"auto\">enfrentamientos b\u00e9licos <\/span><span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\">n el siglo <\/span><span data-contrast=\"auto\">X<\/span><span data-contrast=\"auto\">VIII ingl\u00e9s<\/span><span data-contrast=\"auto\"> (<\/span><i><span data-contrast=\"auto\">Barry <\/span><\/i><i><span data-contrast=\"auto\">Lyndon<\/span><\/i><span data-contrast=\"auto\">, 1975)<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">a <\/span><span data-contrast=\"auto\">dos guerras de la primera mitad <\/span><span data-contrast=\"auto\">siglo XX <\/span><span data-contrast=\"auto\">que asolaron<\/span><span data-contrast=\"auto\"> al planeta <\/span><span data-contrast=\"auto\">y recompusieron los destinos geopol\u00edticos<\/span> <span data-contrast=\"auto\">(<\/span><i><span data-contrast=\"auto\">Miedo y deseo<\/span><\/i><span data-contrast=\"auto\">, 1953<\/span><span data-contrast=\"auto\">; <\/span><i><span data-contrast=\"auto\">Patrulla infernal<\/span><\/i><span data-contrast=\"auto\">, 1957<\/span><span data-contrast=\"auto\">).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">E<\/span><span data-contrast=\"auto\">l ciclo<\/span> <span data-contrast=\"auto\">incluy<\/span><span data-contrast=\"auto\">e<\/span><span data-contrast=\"auto\"> tambi\u00e9n <\/span><span data-contrast=\"auto\">uno de los momentos cr\u00edticos<\/span> <span data-contrast=\"auto\">de <\/span><span data-contrast=\"auto\">la Guerra Fr\u00eda<\/span><span data-contrast=\"auto\">, cuando <\/span><span data-contrast=\"auto\">estuvo a punto de desatar<\/span><span data-contrast=\"auto\">se una<\/span><span data-contrast=\"auto\"> guerra nuclear (<\/span><i><span data-contrast=\"auto\">Dr. Ins\u00f3lito<\/span><\/i><span data-contrast=\"auto\"> o <\/span><i><span data-contrast=\"auto\">C\u00f3mo aprend\u00ed a no preocuparme y amar la bomba<\/span><\/i><span data-contrast=\"auto\">, 1964)<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">adem\u00e1s de otro t\u00edtulo sobre el conflicto vietnamita <\/span><span data-contrast=\"auto\">q<\/span><span data-contrast=\"auto\">ue evidenci\u00f3 la<\/span><span data-contrast=\"auto\"> lucha<\/span><span data-contrast=\"auto\"> por la hegemon\u00eda imperial (<\/span><i><span data-contrast=\"auto\">Cara de guerra<\/span><\/i><span data-contrast=\"auto\">, 1987).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Perfeccionista a rabiar, es indudable que<\/span> <span data-contrast=\"auto\">en la<\/span><span data-contrast=\"auto\"> tem\u00e1tica<\/span><span data-contrast=\"auto\"> b\u00e9lica<\/span><span data-contrast=\"auto\"> Kubrick <\/span><span data-contrast=\"auto\">demostr\u00f3 su talento en la t\u00e9cnica fotogr\u00e1fica y las<\/span><span data-contrast=\"auto\"> formas narrativas<\/span><span data-contrast=\"auto\">, as\u00ed como en la visi\u00f3n oscura y pesimista sobre el <\/span><span data-contrast=\"auto\">sin sentido de la <\/span><span data-contrast=\"auto\">extrema violencia, donde la<\/span><span data-contrast=\"auto\">s victorias no siempre remataron<\/span><span data-contrast=\"auto\"> en un reordenamiento justo.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">El <\/span><span data-contrast=\"auto\">mi\u00e9rcoles 4 de diciembre<\/span><span data-contrast=\"auto\"> se proyecta <\/span><i><span data-contrast=\"auto\">Patrulla infernal<\/span><\/i><span data-contrast=\"auto\"> (<\/span><i><span data-contrast=\"auto\">Phats<\/span><\/i><i><span data-contrast=\"auto\"> of <\/span><\/i><i><span data-contrast=\"auto\">Glory<\/span><\/i><span data-contrast=\"auto\">), <\/span><span data-contrast=\"auto\">inspirada <\/span><span data-contrast=\"auto\">en una novela<\/span><span data-contrast=\"auto\"> en la que se presenta el<\/span><span data-contrast=\"auto\"> enfrentamiento de soldados franceses contra <\/span><span data-contrast=\"auto\">soldados <\/span><span data-contrast=\"auto\">alemanes <\/span><span data-contrast=\"auto\">para <\/span><span data-contrast=\"auto\">dominar<\/span><span data-contrast=\"auto\"> una colina estrat\u00e9gica<\/span><span data-contrast=\"auto\">. Ante la retirada de los soldados franceses <\/span><span data-contrast=\"auto\">por la a<\/span><span data-contrast=\"auto\">dversidad vuelta <\/span><span data-contrast=\"auto\">carnicer\u00eda<\/span><span data-contrast=\"auto\">, el mando militar galo impone un escarmiento a su tropa, lo que se traducir\u00e1<\/span><span data-contrast=\"auto\"> en un alegato militar expuesto en<\/span><span data-contrast=\"auto\"> los tribunales.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Considerada una obra <\/span><span data-contrast=\"auto\">maestra de Kubrick y vuelta <\/span><span data-contrast=\"auto\">cinta de culto, <\/span><i><span data-contrast=\"auto\">Patrulla infernal<\/span><\/i><span data-contrast=\"auto\"> sobrecoge por las im\u00e1genes de <\/span><span data-contrast=\"auto\">Georg Krause, quien desarroll\u00f3 o<\/span><span data-contrast=\"auto\">presivos<\/span> <i><span data-contrast=\"auto\">travel<\/span><\/i><i><span data-contrast=\"auto\">l<\/span><\/i><i><span data-contrast=\"auto\">ings<\/span><\/i><span data-contrast=\"auto\"> en las trincheras francesas,<\/span><span data-contrast=\"auto\"> patentizando<\/span><span data-contrast=\"auto\"> el comportamiento <\/span><span data-contrast=\"auto\">y la angustia de la tropa ante una misi\u00f3n suicida <\/span><span data-contrast=\"auto\">de consecuencias <\/span><span data-contrast=\"auto\">devastadoras. <\/span><span data-contrast=\"auto\">El virtuosismo de<\/span><span data-contrast=\"auto\">l director qued\u00f3<\/span><span data-contrast=\"auto\"> consignado en e<\/span><span data-contrast=\"auto\">scenas cl\u00e1sicas como<\/span><span data-contrast=\"auto\"> la<\/span><span data-contrast=\"auto\">s de las trincheras y la de la ejecuci\u00f3n<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Prohibida en varios pa\u00eds<\/span><span data-contrast=\"auto\">es europeos, la pel\u00edcula destac\u00f3<\/span><span data-contrast=\"auto\"> tambi\u00e9n por las interpretac<\/span><span data-contrast=\"auto\">iones soberbias de <\/span><span data-contrast=\"auto\">George <\/span><span data-contrast=\"auto\">McReady<\/span><span data-contrast=\"auto\"> y <\/span><span data-contrast=\"auto\">Adolphe<\/span> <span data-contrast=\"auto\">Menjou<\/span> <span data-contrast=\"auto\">como el general <\/span><span data-contrast=\"auto\">Boulard<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">Cuando <\/span><span data-contrast=\"auto\">Steven Spielberg<\/span> <span data-contrast=\"auto\">fue interrogado sobre su <\/span><span data-contrast=\"auto\">definici\u00f3n del cine, contest\u00f3: <\/span><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">No hay nada m\u00e1s maravilloso y perfecto para definir el ci<\/span><span data-contrast=\"auto\">ne que el final de <\/span><i><span data-contrast=\"auto\">Patrulla infernal<\/span><\/i><span data-contrast=\"auto\">, cuando la que ser\u00eda futura esposa de Kubrick canta ante los soldados franceses<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">El ciclo<\/span> <i><span data-contrast=\"auto\">Stanley Kubrick<\/span><\/i> <span data-contrast=\"auto\">se<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las funciones tienen lugar en el Aula Clavijero, los lunes y mi\u00e9rcoles, a las 18:00 horas\u00a0<\/p>\n","protected":false},"author":1508,"featured_media":77691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-77694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventos"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/77694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1508"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=77694"}],"version-history":[{"count":0,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/77694\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/77691"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=77694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=77694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=77694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}