{"id":70890,"date":"2019-07-09T08:00:26","date_gmt":"2019-07-09T13:00:26","guid":{"rendered":"https:\/\/www.uv.mx\/prensa\/?p=70890"},"modified":"2019-07-08T20:34:51","modified_gmt":"2019-07-09T01:34:51","slug":"ryuichi-yahagi-en-japon-entre-la-bomba-atomica-y-la-planta-nuclear","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/prensa\/cultura\/ryuichi-yahagi-en-japon-entre-la-bomba-atomica-y-la-planta-nuclear\/","title":{"rendered":"Ryuichi Yahagi en Jap\u00f3n, entre la bomba at\u00f3mica y la planta nuclear"},"content":{"rendered":"<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"4\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">En una estancia art\u00edstica en su <\/span><\/i><i><span data-contrast=\"auto\">pa\u00eds<\/span><\/i> <i><span data-contrast=\"auto\">natal, el acad\u00e9mico de la UV desarroll\u00f3 una serie de actividades, entre ellas <\/span><\/i><i><span data-contrast=\"auto\">organiz\u00f3 <\/span><\/i><i><span data-contrast=\"auto\">y particip\u00f3 en una exposici\u00f3n colectiva <\/span><\/i><i><span data-contrast=\"auto\">y <\/span><\/i><i><span data-contrast=\"auto\">present\u00f3<\/span><\/i><i><span data-contrast=\"auto\"> una<\/span><\/i><i><span data-contrast=\"auto\"> individual<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<div id='gallery-1' class='gallery galleryid-70890 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"481\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-70649\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-1.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-1-300x200.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-70649'>\n\t\t\t\tAspecto de Fronteras invisibles \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"481\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-2.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-70650\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-2.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-2-300x200.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-70650'>\n\t\t\t\tInstalaci\u00f3n en Inmigrantes\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p><b><i><span data-contrast=\"auto\">Karina de la Paz Reyes D\u00edaz<\/span><\/i><\/b><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><i><span data-contrast=\"auto\">0<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">9<\/span><\/i><\/b><b><i><span data-contrast=\"auto\">\/07\/19, Xalapa, Ver.- <\/span><\/i><\/b><span data-contrast=\"none\">Ryuichi<\/span> <span data-contrast=\"none\">Yahagi<\/span><span data-contrast=\"none\">,<\/span><span data-contrast=\"none\"> del Instituto de Artes Pl<\/span><span data-contrast=\"none\">\u00e1sticas (IAP) <\/span><span data-contrast=\"none\">de<\/span> <span data-contrast=\"none\">la Universidad Veracruzana (UV), <\/span><span data-contrast=\"none\">se ha caracterizado por hermanar <\/span><span data-contrast=\"none\">la cultura<\/span><span data-contrast=\"none\">, <\/span><span data-contrast=\"none\">el arte <\/span><span data-contrast=\"none\">y a los creadores <\/span><span data-contrast=\"none\">de su natal Jap\u00f3n con los de M\u00e9xico. Como parte de esa labor, <\/span><span data-contrast=\"none\">en <\/span><span data-contrast=\"none\">junio pasado<\/span> <span data-contrast=\"none\">desarrol<\/span><span data-contrast=\"none\">l\u00f3 una estancia art\u00edstica que contempl\u00f3 una serie de actividades, tal es el caso de <\/span><span data-contrast=\"none\">una <\/span><span data-contrast=\"none\">exposi<\/span><span data-contrast=\"none\">ci\u00f3n<\/span><span data-contrast=\"none\"> individ<\/span><span data-contrast=\"none\">ual y otra colectiva<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">El escultor organiz\u00f3 y particip\u00f3 en una <\/span><span data-contrast=\"none\">exhibici\u00f3n<\/span><span data-contrast=\"none\"> colectiva cuya sede fue la galer\u00eda <\/span><span data-contrast=\"none\">Kyoto-ba<\/span><span data-contrast=\"none\">, en<\/span><span data-contrast=\"none\"> la ciudad de<\/span> <span data-contrast=\"none\">Kyoto<\/span><span data-contrast=\"none\">, del 8 al 30 de junio. Ah\u00ed reuni\u00f3 obra de cinco artistas japoneses y tres <\/span><span data-contrast=\"none\">xalape\u00f1os<\/span><span data-contrast=\"none\">, bajo el t\u00edtulo <\/span><i><span data-contrast=\"none\">Inmigrantes<\/span><\/i><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Cada artista present\u00f3 su mirada sobre las personas inmigrantes<\/span><span data-contrast=\"auto\">;<\/span><span data-contrast=\"auto\"> e<\/span><span data-contrast=\"auto\">n su caso, <\/span><span data-contrast=\"auto\">fue <\/span><span data-contrast=\"auto\">una instalaci\u00f3n cuyo tema <\/span><span data-contrast=\"auto\">es sen<\/span><span data-contrast=\"auto\">sible en la sociedad japonesa: l<\/span><span data-contrast=\"auto\">a bomba at\u00f3mica.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Un asunto global que a su vez es un hito para la historia de Jap\u00f3n, <\/span><span data-contrast=\"auto\">tras <\/span><span data-contrast=\"auto\">el bombardeo que en agosto de 1945 sufrieron las ciudades de Hiroshima y Nagasaki, en el contexto de la Segunda Guerra Mundial.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559731&quot;:708,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Record\u00f3 una leyenda japonesa sobre las grullas de <\/span><span data-contrast=\"auto\">origami<\/span><span data-contrast=\"auto\"> (<\/span><span data-contrast=\"auto\">arte ancestral japon\u00e9s que consiste en el plegado de papel para construir figuras)<\/span><span data-contrast=\"auto\">, la historia de <\/span><span data-contrast=\"auto\">Sadako<\/span> <span data-contrast=\"auto\">Sasaki<\/span><span data-contrast=\"auto\"> y el <\/span><span data-contrast=\"auto\">Parque Conmemorativo<\/span><span data-contrast=\"auto\"> de la Paz de Hiroshima, <\/span><span data-contrast=\"auto\">s\u00edmbolo de los ni\u00f1os de aquella regi\u00f3n para pedir que s<\/span><span data-contrast=\"auto\">e acaben las guerras y haya paz,<\/span> <span data-contrast=\"auto\">adonde <\/span><span data-contrast=\"auto\">cada a\u00f1o llegan toneladas de grullas de Jap\u00f3n <\/span><span data-contrast=\"auto\">y <\/span><span data-contrast=\"auto\">el mundo<\/span><span data-contrast=\"auto\"> entero<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cLas grullas tambi\u00e9n migran a varios lugares en cada \u00e9poca. Van al <\/span><span data-contrast=\"auto\">n<\/span><span data-contrast=\"auto\">orte y al <\/span><span data-contrast=\"auto\">s<\/span><span data-contrast=\"auto\">ur\u201d, explic\u00f3; \u201cyo hice un<\/span><span data-contrast=\"auto\">a instalaci\u00f3n con las grullas y el problema social de que todav\u00eda existen 11 mil 465 bombas at\u00f3micas en el mundo\u201d.\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Pero las grullas no estaban solas, pues la instalaci\u00f3n contempl\u00f3 nueve trampas que representaron a los nueve pa\u00ed<\/span><span data-contrast=\"auto\">ses que poseen <\/span><span data-contrast=\"auto\">esas <\/span><span data-contrast=\"auto\">bombas at\u00f3mic<\/span><span data-contrast=\"auto\">as, entre ellos Estados Unidos, Inglaterra y Corea de Norte.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">Es una t<\/span><span data-contrast=\"auto\">rampa para las grullas que llevan la paz. Tambi\u00e9n es una contradicci\u00f3n del gobierno de Jap\u00f3n, que pide protecci\u00f3n a trav\u00e9s de la bomba at\u00f3mica de Estados Unidos. Existen dos significados. Es un balance de poder de cada pa\u00eds.\u201d<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id='gallery-2' class='gallery galleryid-70890 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"482\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-3.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-70651\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-3.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-3-300x200.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-70651'>\n\t\t\t\tEl escultor es integrante  del Instituto de Artes Pl\u00e1sticas\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"481\" src=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-4.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-70652\" srcset=\"https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-4.jpg 722w, https:\/\/www.uv.mx\/prensa\/files\/2019\/07\/030719-Ryuichi-Yahagi-4-300x200.jpg 300w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-70652'>\n\t\t\t\tCinco mil barquitos de papel \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p><span data-contrast=\"auto\">Adem\u00e1s, present\u00f3 una exposici\u00f3n individual en la galer\u00eda <\/span><span data-contrast=\"auto\">Kobo<\/span><span data-contrast=\"auto\">, en <\/span><span data-contrast=\"auto\">la ciudad de <\/span><span data-contrast=\"auto\">Tokio, del 17 al 29 de junio, cuyo t\u00edtulo fue <\/span><i><span data-contrast=\"auto\">Fronteras invisibles<\/span><\/i><span data-contrast=\"auto\">, en alusi\u00f3n a la planta nuclear de <\/span><span data-contrast=\"auto\">Fukushima<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Record\u00f3 <\/span><span data-contrast=\"auto\">que<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> en marzo de 2011, un<\/span><span data-contrast=\"auto\"> terremoto <\/span><span data-contrast=\"auto\">y <\/span><span data-contrast=\"auto\">un posterior tsunami provo<\/span><span data-contrast=\"auto\">caron el accidente nuclear en esa<\/span><span data-contrast=\"auto\"> central at\u00f3mica japonesa, <\/span><span data-contrast=\"auto\">considerado <\/span><span data-contrast=\"auto\">el m\u00e1s grande desde el de <\/span><span data-contrast=\"auto\">Chern<\/span><span data-contrast=\"auto\">\u00f3<\/span><span data-contrast=\"auto\">bil<\/span><span data-contrast=\"auto\"> (Ucrania) en 1986.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u201cMucha gente lo est\u00e1 olvidando, pero s\u00ed, hace ocho a\u00f1os hubo maremoto y terremoto fuerte, y murieron muchas <\/span><span data-contrast=\"auto\">personas <\/span><span data-contrast=\"auto\">en Jap\u00f3n, tambi\u00e9n hubo heridos de la planta nuclear de <\/span><span data-contrast=\"auto\">Fukushima<\/span><span data-contrast=\"auto\">.\u201d<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Desde <\/span><span data-contrast=\"auto\">aque<\/span><span data-contrast=\"auto\">l acontecimiento, el escultor<\/span><span data-contrast=\"auto\"> va cada a\u00f1o al lugar para investigar <\/span><span data-contrast=\"auto\">y documentar <\/span><span data-contrast=\"auto\">sobre lo que acontece<\/span> <span data-contrast=\"auto\">luego de la desgracia nuclear.\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Ryuichi<\/span> <span data-contrast=\"none\">Yahagi<\/span><span data-contrast=\"none\"> remarc\u00f3 no perder de vista que en Veracruz se encuentra Laguna Verde, la \u00fanica planta nuclear de M\u00e9xico. Elemento que tambi\u00e9n incluy\u00f3 de manera <\/span><span data-contrast=\"none\">significativa en su exposici\u00f3n.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201cEs un tema s\u00faper global. Hay varios pa\u00edses que tienen planta nuclear \u2013<\/span><span data-contrast=\"none\">Francia, Estados Unidos, varios<\/span><span data-contrast=\"none\">\u2013 y siempre hay un riesgo d<\/span><span data-contrast=\"none\">e que suceda lo que a nosotros; <\/span><span data-contrast=\"none\">como pas\u00f3 con <\/span><span data-contrast=\"auto\">Chernobil<\/span><span data-contrast=\"auto\"> antes<\/span><span data-contrast=\"auto\">. No es <\/span><span data-contrast=\"auto\">ajeno, es muy cercano<\/span><span data-contrast=\"auto\">.\u201d<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Por <\/span><span data-contrast=\"auto\">esa raz\u00f3n<\/span> <span data-contrast=\"none\">Ryuichi<\/span> <span data-contrast=\"none\">Yahagi<\/span> <span data-contrast=\"auto\">toca en su obra temas tan se<\/span><span data-contrast=\"auto\">nsibles para la gente<\/span><span data-contrast=\"auto\">, pues<\/span><span data-contrast=\"auto\"> piensa que ser artista significa ser una<\/span><span data-contrast=\"auto\"> parte de una sociedad en s\u00ed<\/span><span data-contrast=\"auto\"> e involucrar<\/span><span data-contrast=\"auto\">se<\/span><span data-contrast=\"auto\"> en <\/span><span data-contrast=\"auto\">esos <\/span><span data-contrast=\"auto\">temas a trav\u00e9s del arte. En <\/span><span data-contrast=\"auto\">el caso de las bombas at\u00f3micas y las plantas nucleares<\/span><span data-contrast=\"auto\">, los <\/span><span data-contrast=\"auto\">lig\u00f3 con la paz, tan necesaria en el mundo.<\/span><span data-contrast=\"auto\">\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Precisamente, e<\/span><span data-contrast=\"auto\">l t\u00edtulo<\/span> <i><span data-contrast=\"auto\">Fronteras invisibles<\/span><\/i><span data-contrast=\"auto\"> hace alusi\u00f3n a las radiaciones de la planta nuclear que no se ven<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> pero c<\/span><span data-contrast=\"auto\">uyos efectos son irreversibles en una persona. <\/span><span data-contrast=\"auto\">Una de las instalaciones que ah\u00ed present\u00f3 consisti\u00f3 en <\/span><span data-contrast=\"none\">cinco mil barquitos elaborados con peri\u00f3dicos de la regi\u00f3n y d<\/span><span data-contrast=\"none\">el d\u00eda del accidente nuclear<\/span><span data-contrast=\"none\"> de 2011<\/span><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">En otra, se aprecia una frontera, en cuya cima hay pares de piedras. Una es de los alrededores de<\/span><span data-contrast=\"auto\"> la planta nuclear de <\/span><span data-contrast=\"auto\">Fukushima<\/span><span data-contrast=\"auto\">, mientras su compa\u00f1era, exactamente igual, fue esculpida por <\/span><span data-contrast=\"none\">Ryuichi<\/span> <span data-contrast=\"none\">Yahagi<\/span><span data-contrast=\"none\">, con material p\u00e9treo recolectado en los al<\/span><span data-contrast=\"none\">rededores de Laguna <\/span><span data-contrast=\"none\">Verde, a manera de remarcar la profunda connota<\/span><span data-contrast=\"none\">ci\u00f3n que tienen una de la otra.<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El artista de la Universidad Veracruzana se ha caracterizado por hermanar a M\u00e9xico con el pa\u00eds asi\u00e1tico, a trav\u00e9s de la cultura y el arte<\/p>\n","protected":false},"author":1508,"featured_media":70651,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-70890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/70890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/users\/1508"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/comments?post=70890"}],"version-history":[{"count":0,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/posts\/70890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media\/70651"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/media?parent=70890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/categories?post=70890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/prensa\/wp-json\/wp\/v2\/tags?post=70890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}