{"id":13602,"date":"2022-06-24T16:02:39","date_gmt":"2022-06-24T21:02:39","guid":{"rendered":"https:\/\/www.uv.mx\/edu-cont\/?p=13602"},"modified":"2022-08-30T13:45:44","modified_gmt":"2022-08-30T18:45:44","slug":"la-musica-en-la-obra-de-alejo-carpentier","status":"publish","type":"post","link":"https:\/\/www.uv.mx\/edu-cont\/general\/la-musica-en-la-obra-de-alejo-carpentier\/","title":{"rendered":"La M\u00fasica en la Obra de Alejo Carpentier"},"content":{"rendered":"<table width=\"0\">\n<tbody>\n<tr>\n<td style=\"background-color: #28ad56;width: 623px\" colspan=\"2\" width=\"623\"><strong><span style=\"color: #ffffff\">Seminario<\/span><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"color: #ffffff\"><strong>Humanidades<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><\/td>\n<td width=\"444\"><strong>LA M\u00daSICA EN LA OBRA DE ALEJO CARPENTIER<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><\/td>\n<td width=\"444\"><strong>Objetivo:<\/strong> \u00a0\u00a0Comprender las relaciones entre la m\u00fasica y la literatura a lo largo de la historia, analizar las relaciones m\u00fasico literarias en la obra de Alejo Carpentier, estudiar el movimiento afroamericano y sus elementos musicales en los primeros poemas de Carpentier y en las novelas \u00a1Ecue-Yamba-O! y El reino de este mundo, interpretar la novela \u201cLos Pasos Perdidos\u201d desde diversas \u00f3pticas, analizar la propuesta de estructura musical presente en \u201cEl Acoso\u201d, valorar el sincretismo musical que Carpentier construye en \u201cConcierto Barroco\u201d.<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Dirigido a:<\/strong><\/td>\n<td width=\"444\">Al p\u00fablico en general interesado en la literatura y la m\u00fasica, preferentemente con lectura de la obra de Alejo Carpentier.<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Temario:<\/strong><\/td>\n<td width=\"444\">\n<p>1.\u00a0\u00a0\u00a0\u00a0\u00a0 Presentaci\u00f3n del programa, aspectos te\u00f3ricos sobre las relaciones entre la m\u00fasica y la literatura.<\/p>\n<p>2.\u00a0\u00a0\u00a0\u00a0\u00a0 Los poemas afrocubanos y los argumentos de ballets.<\/p>\n<p>3.\u00a0\u00a0\u00a0\u00a0\u00a0 Los pasos perdidos.<\/p>\n<p>4.\u00a0\u00a0\u00a0\u00a0\u00a0 El acoso.<\/p>\n<p>5.\u00a0\u00a0\u00a0\u00a0\u00a0 Concierto barroco o la apoteosis del sincretismo musical.<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Duraci\u00f3n:<\/strong><\/td>\n<td width=\"444\">20 horas<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Fecha:<\/strong><\/td>\n<td width=\"444\">17 al 21 de octubre de 2022<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Horario:<\/strong><\/td>\n<td width=\"444\">16:00 a 20:00 horas<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Plataforma:<\/strong><\/td>\n<td width=\"444\">Zoom<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Coordinador:<\/strong><\/td>\n<td width=\"444\">Mtro. Manuel de Jes\u00fas Escobar D\u00edaz<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Correo electr\u00f3nico:<\/strong><\/td>\n<td width=\"444\">maescobar@uv.mx<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Instructor(es):<\/strong><\/td>\n<td width=\"444\">Dr. Pablo Jos\u00e9 Montoya Campuzano<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Cuota de recuperaci\u00f3n:<\/strong><\/td>\n<td width=\"444\">$ 662.00<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Cupo m\u00ednimo:<\/strong><\/td>\n<td width=\"444\">30<\/td>\n<\/tr>\n<tr>\n<td width=\"179\"><strong>Sede:<\/strong><\/td>\n<td width=\"444\">\n<p>Instituto de Investigaciones Ling\u00fc\u00edstico-Literarias<\/p>\n<p>Estanzuela 47B, Fraccionamiento. Pomona<\/p>\n<p>Tel:228 243 0341 Ext. 13358<\/p>\n<p>Xalapa, Ver.<\/p>\n<p><em>UV-CA-228 Problemas de teor\u00eda y cr\u00edtica literaria y UV-CA-262 Di\u00e1logos interdisciplinarios en la Literatura Hispanoamericana.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seminario\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":2073,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ventana_nueva":"","tipo_url":"","url":"","extracto":"","imagen_halign":"","imagen_valign":"","bg_size":"","text_hide":"","media_url":"","tipo_media":"","video_url":"","video_pos":"","video_youtube":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-13602","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/posts\/13602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/users\/2073"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/comments?post=13602"}],"version-history":[{"count":2,"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/posts\/13602\/revisions"}],"predecessor-version":[{"id":13869,"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/posts\/13602\/revisions\/13869"}],"wp:attachment":[{"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/media?parent=13602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/categories?post=13602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uv.mx\/edu-cont\/wp-json\/wp\/v2\/tags?post=13602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}